Born with a good voice and a wide range, Lee Greenwood turned it into a unique voice accidentally, by overworking it in a less-than-healthy setting. Hailing from Sacramento, he used his musical training on the casino circuit, working in the green-felt jungles of Reno and Las Vegas, where he dealt cards by day and sang in dark lounges by night. The physical toll of two jobs, the vocal strain of performing six nights a week, and the damaging endeavor to sing in smoky nightclubs before the advent of smoking ordinances brought Greenwood a permanent hoarseness. He's used it to his advantage, becoming one of country music's premier balladeers. Discovered by Mel Tillis' road manager, Larry McFaden, Greenwood paid for his own ticket to fly to Nashville and cut a few demos, and it took more than a year for that effort to pay off. When it finally did, Greenwood broke through in late 1981 with "It Turns Me Inside Out," in which his exaggerated vibrato brought frequent comparisons to Kenny Rogers. In short order, Greenwood disposed of the "Kenny clone" image, but he continued to mine romantic material for the bulk of his hits. Occasional exceptions include "Touch and Go Crazy" and "Mornin' Ride," but the biggest exception is also his signature song, the self-written "God Bless the U.S.A.," which earned Song of the Year honors from the Country Music Association.